Manaus Part I
Manaus is the capital and largest city in the state of Amazonas. Travelers flying to the Manaus arrive at Eduardo Gomes International Airport on the outskirts of the city.
The airport is named after Brazilian politician and military figure Eduardo Gomes and has two terminal buildings. Terminal 1 receives domestic and international flights and Terminal 2, also known as "Eduardinho", receives regional flights and some business jets.
During 2007, the airport handled 2,063,872 passengers and 44,303 aircraft movements, placing it amongst the busiest airports in Brazil.
From the airport one takes a taxi or bus into the city or to one of the luxury hotels located on the banks of the Rio Negro.
Situated on the banks of the Rio Negro (meaning Black River, because of the dark color of the water), Manaus is an important centre for ecological tourism. One of its most popular attractions is Ponta Negra beach, 8 miles from the centre of the city, where the sands are exposed right down to the river bed during the dry season, forming a beautiful contrast with the dark waters of the river itself.
One of the must see attractions in the City of Manaus is the Teatro Amazonas.
The Teatro Amazonas is an opera house. Located in the heart of Manaus it is the location of the annual Amazonas Opera Festival held in April.
It was built during the Belle Epoque when fortunes rose during the rubber boom. Construction of the Teatro Amazonas was first proposed in 1881 by Antonio Jose Fernandes Júnior, a member of the House of Representatives. The idea was to construct a jewel in the heart of the Amazonian forest and to make Manaus one of the great centers of civilization.
The State legislature approved some limited financing the following year, but this was considered insufficient. Finally in 1882, the president of the Province, Jose Lustosa Paranagua, approved a larger budget and initiated a competition for the presentation of plans.
Construction began in 1884 under the Italian architect Celestial Sacardim, who planned the theatre to be state of the art and to include electric lighting.
Work proceeded slowly during the following fifteen years with some stops and re-starts from 1885 to 1892.
Roofing tiles came from Alsacee, furniture and furnishings in the style of Louis XV came from Paris. Carrarra marble from Italy for the stairs, statues, and columns. Steel walls from England. The theatre has 198 chandeliers, of which 32 are made of Murano glass. The curtain, with its painting the "Meeting of the Waters" created in Paris by Crispim do Amaral, depicts the junction of the Rio Negro and the Rio Solimões to form the Amazon.
The outside of the dome is covered with 36,000 decorated ceramic tiles painted in the colors of the national flag.
Recommencing in 1893 the work moved forward . By 1895, when the masonry and external work were completed, the decoration of the interior, and the installation of electric lighting, move rapidly.
Domenico de Angelis, an Italian, painted the beautiful panels that decorate the ceilings of the auditorium and of the audience chamber.
After its inauguration and first public presentations, two more years would pass before the building was finally completed, a project taking seventeen years in all.
The inauguration of the theater was on December 31, 1896, the first performance occurring on January 7, 1897 with the Italian opera, La Gioconda, by Amilcare Ponchielli.
Four restorations have occurred, most recently in 1929, 1974 and between 1988 and 1990, and it currently has 701 seats covered with red velvet.
The film Fitzcarraldo directed by the German director Werner Herzog in 1982 featured the theatre. The opera-obsessed character Brian Sweeney "Fitzcarraldo" Fitzgerald makes his way to the opera house at the beginning of the film to hear Enrico Caruso sing in Verdi's Ernani. He arrives at the end of the opera and there are scenes of the interior of house. While many believe the theatre was constructed to attract Caruso to perform at its opening, there is doubt he actually did perform.
As of 2001, opera is once again flourishing at the theatre. Manaus has become the focus of a most unlikely musical migration. Many of Eastern Europe's best musicians have been tempted from such orchestras as the Kirov to Manaus with the lure of much higher wages. Thirty-nine of the fifty-four member Amazon Philharmonic orchestra are from Bulgaria, Belarus and Russia. Even the archivist hails from Belarus.
Today, the theatre is the location for an annual Manaus film festival.
More on Manaus in the next edition.
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